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A martyr is a person who is put to death or endures suffering because of a belief, principle, or cause. The themes of torture, sadism and captivity have been touched on by many horror films of the 2000s. “Martyrs” is the first film that could be called “torture porn” that doesn’t come from a conflicted moral point of view. On the surface, the film looks a lot like “Hostel” or “Saw”. Beneath the skin, though, it has much more in common with “Funny Games” or “Irreversible”, films where graphic violence isn’t just a series of vicarious thrills that are the entire reason for the film’s existence. “Martyrs” tells a story in a grotesque, mysterious way while hinting at possible religious motifs throughout. Not for the faint of heart this film starts off with scenes of female torture and really stays in an apologetically dark tone during the show. Progressing to more strange territory in the later half of the film viewers will need to prepare for director Pascal Laugier’s shock and awe visual assault that will surprise the senses. For those sadists and masochists who appreciate pure horror and intelligent moviemaking, “Martyrs” is a real find.

“Martyrs” is a French film. The French can make very strong horror movies. If the audience is open-minded and strong-willed enough to go along with “Martyrs”, they’ll find a movie that is possibly the best of the recent spate of high quality horror films coming out of France. The film is written and directed by Pascal Laugier. “Martyrs” stars Morjana Alaoui as Anna and Mylene Jampanoi as Lucie with support given by Catherine Begin as Mademoiselle, Robert Toupin as Le pere, and Isabelle Chasse as La Creature.
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Tits nailing is a form of SM edge play involving hammering nails through the breast. Of course it hurts much more then play piercing because of the size of the nails, and also the hammering. But it can be done probably with a minimal amoung of pain. It is safe if done with care and forethought, with proper before and aftercare (antiseptic and keeping the wounds clean).

Nailing releases a flood of endorphins. And a lot of the thrill for both sadist and masochist comes from the picture in the mind. There you are held to something by your tits, you can’t move away there is a certain power in this for the sadist, and a total submission on the part of the masochist. There is a particular emotional/psychological dimension to driving a nail through a submissive’s breast or nipple that may be different in its primality and in its intensity from standard needle play, just as there is a difference, even, paradoxical or enigmatic as it may sound, a difference in intimacy, between the typical techniques of standard needle play and pushing a needle full-length into a girl’s nipple from the top or skewering her breast with a longer needle. Remember, it is never done without talk first with your submissive.

The nails used should be smooth and sharp. Infection is the biggest risk here. Therefore the nails used should be very smooth, with no microscopic debris that may be left in the breast. Ridges and twists found in many nails are good places for bacteria and other organic material to linger. Scarring is dependant upon a number of factors including, but not limited to, the particular characteristics of the flesh, any sort of stretching that’s done and the size of the nail. We recomend using small diameter round nails, like finishing nails perhaps (not screw nails).
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Needle play, play piercing or recreational acupuncture is an activity involving placing needles through the top layer of skin, or using needles for temporary piercings for the purpose of enjoying the experience rather than producing a permanent body decoration. Needles are removed from the body when the episode is complete, allowing the wounds to heal. Those who engage in play piercing may do so for self-expression, as a part of a ritual imitating mock tribal cultures, for the purpose of spiritual self-discovery, for sexual pleasure, for simple entertainment, raising awareness or relieving boredom. Needle play is considered edge play – the practice which involves significant risk of injury or physical harm.

Needle play or play piercing is different from regular piercing as it’s temporary and doesn’t involve jewellery. During a scene thin needles are stuck through the skin (close to the surface), possibly manipulated during play, and then taken out afterwards, usually with no lasting marks. It can involve one needle or whole rows or a pattern of them, sometimes laced together with threads. The pain received from a needle is a different kind of pain though. It’s more of a flash and then depending on the part of the body it fades to a dull throb and then nothing. But that initial flash is what draws to it.
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The chair of torture, also known as the witch’s chair, the chair of spikes, the interrogation chair – a commonly used torture device from the Middle Ages contained a lot of spikes or needles that would pierce the skin of the victim everywhere their skin touched the chair. There was no rest, for the wicked or anyone else who sat in this thing. The chair of torture dates back to the Middle Ages but may have been used till the late 19th Century. These implements were used in Germany up until the 19th century, in Italy and in Spain up until the end of the 1700s, in France and in other central European countries, according to certain sources, up until the end of 1800.

This instrument of torture comes in different versions. These chairs have different shapes and sizes, but they were all equipped with spines and immobilization of the victim. All of them have common characteristics, in that they are covered with spikes on the back, on the arm-rests, on the seat, on the leg-rests, and on the foot-rests. The chair itself contains up to 2000 metal spikes in addition to a means of fixing the victim into the chair, and applying pressure to force the person’s body, or appendages more firmly against the spikes. The bars, either made of iron or wood, fastened the victim around the waist, around the wrists, and around the chest or bust. It’s easy to comprehend the effect of the spikes piercing the victim’s body made even more effective by a screw bar system to immobilize the victim and make the pins penetrate more deeply. The seat was often made of iron that could be heated. Some spiked seat had holes to allow the victim’s bottom to be ‘heated’ by hot coals placed under the seat, causing painful burns, but still keeping the victim conscious.
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Endorphins are endogenous opioid polypeptide compounds. Endorphins are neurotransmitters, chemicals which are directly involved in the brain’s electrochemical workings. They are produced by the pituitary gland and the hypothalamus in vertebrates during strenuous exercise, excitement, pain, consumption of spicy food and orgasm, and they resemble the opiates in their abilities to produce analgesia and a feeling of well-being. According to some reports, laughter releases endorphins in the brain, and long-distance runners also refer to this state as “runner’s high.” Strenuous exercise takes a person over a threshold that activates endorphin production. Endorphins regulate feelings of hunger and are connected to the production of sex hormones.

The euphoria described by people who engage in BDSM is attributed to endorphins too. One theory of why some people find BDSM activities pleasurable is that these activities stimulate endorphins in a controlled way. In 1999, clinical researchers reported that inserting the acupuncture needles into specific body points triggers the production of endorphins. Endorphins regulate feelings of pain – they work as “natural pain killers”. From the BDSM point of view endorphins are naturally-occurring opiate-like chemicals produced in the brain in response to pain, which block pain and can produce an euphoric sensation. High endorphin levels cause a feeling of euphoria.
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Female circumcision, also known as female genital mutilation or female genital cutting is any procedure involving the partial or total removal of the external female genitalia or other injury to the female genital organs whether for cultural, religious or other non-medical reasons. The procedure has no health benefits for girls and women. It involves removing and damaging healthy and normal female genital tissue, and interferes with the natural functions of girls’ and women’s bodies. Procedures can cause severe bleeding and problems urinating, and later, potential childbirth complications and newborn deaths. Immediate complications can include severe pain, shock, haemorrhage (bleeding), tetanus or sepsis (bacterial infection), urine retention, open sores in the genital region and injury to nearby genital tissue. It is one of the most shocking and painful pussy torture procedure.

Despite all above between 100 to 140 million girls and women worldwide are living with the consequences of female circumcision. In Africa, about 92 million girls are estimated to have undergone female circumcision. About three million girls are at risk for female genital mutilation annually.
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Let’s talk about “Antichrist”, a horror film directed by maker Lars von Trier, the cult Danish film maker, and starring Willem Dafoe and Charlotte Gainsbourg. With all its troubles of the mind, body and spirit, “Antichrist” caused a huge commotion at the 2009 Cannes Film Festival. This film is momentarily being flagged as one of the biggest scandals in the history of Cannes. This latest provocation from Lars von Trier qualifies as torture porn for art-house fans. This film is strong stuff indeed. Pulling the conventions of the genre inside out, von Trier denies his audience the standard comfort zones of emotional catharsis and moral resolution.

In “Antichrist,” Charlotte Gainsbourg plays an unnamed woman grieving the loss of her young son. When she and her therapist husband (Willem Dafoe) repair to their cabin in the woods, they plunge into a battle between irrational, “female” nature and logical, “male” reason – a fight that culminates in the film’s shocking final moments featuring graphic scenes of sexual mutilation and torture. Failing to find release in spontaneous sex, she becomes increasingly unhinged as the forest around them begins channelling her tormented mind. Her despair promptly ferments into a passionate hatred for her husband, who she subjects to prolonged torture after mutilating herself.
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The ancestor of wooden pony – wooden horse is a sharply angled torture device a wide triangular wooden plank, set sharp end up, mounted on a saw-horse like support. The victim is forced to “ride the horse” putting full body weight on the genitals. The helpless victim is lifted into the air and set upon the horse, his full body weight supported on the most tender flesh – his genitals, which rested on the point of the angle. Additional weights or restraints were often attached to the ankles to keep the victim from falling off. His legs are forced wide by the width of the lower part of the plank. Used on both men and women.
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The pear of anguish – also known as poire d’angoisser, the spanish mouth pear, the pope’s pears, the choke pear, the anal pear and oral pear – was an iron torture instrument shaped like a pear, which was inserted in the victim’s mouth, anus or vagina. It was used to rupture the sensitive membranes and tissues of these areas. Because it damaged the body only inside body cavities, it was sometimes used to extract “confessions” when there was a need to pass them off as freely given. Used during Medieval Times, the pear of anguish was an extremely painful device used to punish homosexuals, witches and women accused of inducing a miscarriage. The insertion of the pear depended on the crime the victim was accused of, while slanderers and blasphemers would have their mouths mutilated, homosexuals would suffer the same fate on their anus, and women who had induced a miscarriage, or been accused of witchcraft and carnal knowledge of demons would see their vaginas torn apart by it.
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Raven opened her eyes as the pain ripped through her body. It was dim and cool where she was and smelled a bit moldy as if she was underground. Her eyes strained to adjust to the limited light. Her head was throbbing and she could feel a welt on the back of her head near her neck. She tried desperately to remember something, anything. The last thing she could remember was laughing and talking to the charming gentleman at the bar. She excused herself to go to the bathroom….then just darkness. She tried to reach her hand up to her pounding temple but as she did so she realized she couldn’t move her hands. They were tied securely behind her back. For a moment she panicked, then calmed as she understood she needed a clear mind to figure out what was going on. By now her eyes had become adjusted and she was able to make out some shapes in the room. Becoming more aware of her body, she now knew that not only her hands were tied, but also her ankles. The same length of rope was tying all parts of her body. There was a loop around her neck that ran down her back and wrapped around her hands, from there the rope went around her waist and then down her legs to wrap around her ankles. If she tried to move one part of her body, another would feel the pain of her efforts. She was laying on her side and most of her skin was exposed. Apparently her captor had decided to leave her bra and underwear on, the rest of her clothes were gone.
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