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Killian Skarr is a sculptor from Akron, Ohio who creates primitive devices of torture from wood, found hardware and leather using a chainsaw and a blowtorch, among other tools. His art has been seen at a number of shows, most notably the Dirty show 11 in Detroit. His two largest sculptures (weighing together around half a ton and currently crowding out his living room) were featured on stage during the Halloween fetish playland in Cleveland, and will be featured again at the upcoming Organgrinders ball at the Cleveland House of Blues, and at the Dirty Show 12. Let’s enjoy the pure, sexual, arousing and dangerous art from great artist Killian Skarr.

A primitive torture device is a morbidly rendered carapace, designed to achieve maximum psychological disturbance, carved into a form intended for the function of restraint and torture. This device is composed of sinister, organic structures imposed upon wood and leather and metal by the obscure and bizarre methods of Killian Skarr. A primitive torture device is a thing which persists in space and time like a perversion upon this world. But its existence preceded its physical manifestation deep within the insanity of Killian Skarr. An aesthetic is achieved that is dark, organic, and fractal, it is a twisting and arching in skeletal form, and each serves the sadistic function to restrain and torture the human body.

Nihilophiliac Cuddlebunny 1

Nihilophiliac Cuddlebunny 2

Nihilophiliac Cuddlebunny 3

Killian Skarr:

“I approach art with an almost sexual passion, and I strive to complete each piece with the specter of death hovering over my shoulder. And that is really the essence of what the sculptures themselves consist of; sex and death. By repeating organic patterns in the dead flesh of the wood an almost fractal, bone-like structure emerges to form the frame onto which the human body may be restrained.

I am very passionate about creating art and I seek to develop an aesthetic that compels the eye, but that is not enough, it must also be functional. I love the female form with all its curves and its soft, vulnerable flesh and I wanted to be able to restrain that beautiful form to something sinister and disturbing.

Anti-anthropocentricism-Biteyboo. Wood, hardware, leather. 2010

Trans-teleological-Tuggybear. Wood, hardware, leather. 2010

Keepstill no.1. Wood, hardware, leather. 2009

Creating my sculptures initially involves finding a particularly appealing shape in the branches of a tree and then deciding on how best it may be suited to bind a girl to. From that point I allow a sort of ecstatic frenzy to overtake me as I carve the wood and embellish upon its initial form.
The first in the series of primitive torture devices is the “Nihilophiliac Cuddlebunny”. Essentially it functions as a sling, though there are multiple eye bolts so that it will accommodate 3 girls at once. It was cut from an 80 year old maple in my backyard. The majority of the carving was done with a chainsaw before I brought it inside, enclosed it in plastic tarps and finished the fine carving, staining and burning. Not the safest thing to do with dry wood in a house. It was completed in late 2009 and has been seen at a number of art and fetish shows, including the Dirty Show and it will be on display again with many of my other pieces at the upcoming OrganGrinders ball in Cleveland this April.

Objectifying Lens no.1. Wood, hardware, glass. 2009

Selected smaller works. Wood, hardware, leather. 2009-2010

The “Trans-teleological Tuggybear” was finished in early October of 2010 and consists of the same maple as the “Nihilophiliac Cuddlebunny”. It has an antique winch mounted to it which raises and lowers the wrist restraints. Other than that it functions basically like a St. Andrew’s cross. And that’s the thing with my work, I wanted to make bondage equipment that didn’t really look like anything that’s been seen before. Each piece is unique and I try to allow the form of the wood and that frenzied state to lead me along until the visions of these devices are realized. I am obsessed with their creation.

The “Anti-anthropocentricism Biteyboo” serves the function of a table, but the table top is on a hinge revealing stocks to hold the wrists tight. I like to put a girl on it and then set a full glass of wine before her. The game is every time her movements spill the wine she gets another lash, which in turn spills more wine, and another lash and so forth. It’s great fun!”

Killian Skarr is also the author of Restraints, Licking Mirrors, Purely Aesthetic/Non-Functional Art and Torture Implements. You can read about all of the insanity and sexuality that surrounds the creation of these devices on killianskarr.com website or Pixiedoll’s blog at nihilophile.livejournal.com


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